Laura saw the photographs I posted of her friend, who is also a professional break dancer, Lauren Haywood and dropped me a line to arrange her own shoot. Laura is a dance and fitness instructor based in Huddersfield. She needed new photographs for her portfolio.
As a professional photographer, I do not want to rest on what I know, but to push my skills and knowledge with ever more challenging situations. Dance and movement is one such area. How do you convey the sense of movement in a static image or do justice to a dancer's grace? Especially Laura who has it in buckets! She wore a loose white top to bring out the sense of movement too and it also stands out from the black backgrounds. That helps a bit.
Prior to most of my shoots the client and I discuss what they want and I field a number of ideas to them. This means the shoot is tailored to their requirements. I brought along scarves, a streamer, a couple of fans (that were not used but Laura thought they were pretty) plus a selection of gear essential to the craft of photographing dancers.
The shoot was in a room at St Mark's church in Leeds not far from Leeds University. The is more than adequate space and the floor is sprung (essential for dancers who like leaping around). Unlike your average dance studio space there are high arches and stain glass windows that can be used as part of the overall look. You will see that we did utilise this.
Some of the techniques that I employed were experimental and we has discussed this prior to the shoot. Laura was up to try anything to see how it would turn out. I had seen other photographers use them, but learning all the nuances is another thing even if you copy their settings use similar gear.
We did run over time a bit. When I say bit, we just lost track of it! You know how the old saying goes about having fun. The results were worth it. I hope you agree. You can voice your thoughts in the comments box below. We did not have enough time to take a few head shots either. We will have to do those on another day.
We also tried using a strobe flash technique, but the shots were not up to scratch and we will have to try this again on another day. I know how to improve them. We are also planning another shoot for next year when it is warmer. It will involve flour being throw about and yes, it will be messy, but the photographs will be spectacular! There will be one unbreakable rule, NO flour bombing of the photographer when he has a camera in his hands and until after the shoot.
Most of the post processing involved a bit of cropping, straightening, adjusting the exposure, removing sockets from the wall and ensuring the background was an even black. I try to do the majority of the hard work at the moment the photograph is taken rather than sat behind a computer. A bit of 'dodging' was used to bring out the details of the red veil.
A full-frame camera with a 24-70mm f/2.8 lens was used throughout. The two flashguns were triggered by the camera's built-in flash or another flashgun. The camera was in manual mode throughout with the shutter speed, aperture and ISO setting being 1/800 , f/4 and 200 respectfully. The flashguns were also operating in manual mode. It meant I have more control over the final photograph and nothing unexpected happens because of the camera makes a decision out of turn. A Lupolux 800 spotlight (very similar to one you find in a theatre) was used for the long shutter shots.
A massive "thank you!" to Laura for her immaculate folding of the background material and the scarves. Also for making this such an enjoyable and fun experience not forgetting snot free (in joke)! I was a little disappointed that she did not wear her Batman lounge pants in at least one photograph. See the portrait shoot here.
If you would like to book a shoot contact me.
Please leave any thoughts, comments, questions or just say, "Hi!" (not literally) below. I really do appreciate feedback. E.g. What is your favourite photograph and why?
A few more photos on Facebook.